For example, a film about the United States might be organized into 50 parts, each devoted to a state.Ĭel animation: Animation that uses a series of drawings on pieces of celluloid, called cels for short. See also 180º system, screen direction.īacklighting: Illumination cast onto the figures in the scene from the side opposite the camera, usually creating a thin outline of high-lighting on those figures.īoom: A pole on which a microphone can be suspended above the scene being filmed and that is used to change the microphone’s position as the action shifts.Ĭanted framing: A view in which the frame is not level either the right or left side is lower than the other, causing objects in the scene to appear slanted out of an upright position.Ĭategorical form: A type of filmic organization in which the parts treat distinct subsets of a topic. The axis of action is also called the 180º line. The camera is not supposed to cross the axis at a cut and thus reverse those spatial relations.

The axis of action defines the spatial relations of all the elements of the scene as being to the right or left. The standard Academy ratio is currently 1.85:1.Īssociational form: A type of organization in which the film’s parts are juxtaposed to suggest similarities, contrasts, concepts, emotions, and expressive qualities.Īsynchronous sound: Sound that is not matched temporally with the movements occurring in the image, as when dialogue is out of synchronization with lip movement.Īuteur: The presumed or actual author of a film, usually identified as the director also sometimes used in an evaluative sense to distinguish good filmmakers ( auteurs) from bad ones.Īxis of action : In the continuity editing system, the imaginary line that passes through the main actors or the principal movement. Small changes in position, recorded frame by frame, create the illusion of movement.Īspect ratio: The relationship of the frame’s width to its height. Also called camera angle.Īnimation: any process whereby artificial movement is created by photographing a series of drawings (see also cel animation), objects, or computer images one by one. The camera lens takes in a wide field of view and squeezes it onto the frame, and a similar projector lens un-squeezes the image onto a wide theater screen.Īngle of framing: The position of the frame in relation to the subject it shows: above it, looking down ( a high angle) horizontal, on the same level ( a straight-on-angle) below it, looking up (a low angle). In the original ratio, the frame was 1 1/3 times as wide as it was high (1.33:1) later the width was normalized at 1.85 times the height (1.85:1).Īerial perspective: A cue for suggesting depth in the image by presenting objects in the distance less distinctly than those in the foreground.Īnamorphic lens: A lens for making widescreen films using regular Academy ratio frame size. Abstract Form: A type of filmic organization in which the parts relate to one another through repetition and variation of such visual qualities as shape, color, rhythm, and direction of movement.Īcademy ratio: The standardization shape of the film frame established by the Academy of Motion Picture Arts and Sciences.

Meta narrative in film meaning